This shot is a mid-shot; the scene denotes two characters in
a door entrance. The setting suggests that it’s a household and this is also
suggested by Mise en scene such as the character wearing a balaclava. The
balaclava connotes that there is a robbery taking place. The other character is
a largely built black man who isn’t seen wearing one, he and the other man are
wearing dark casual clothes, meaning that they want to look less obvious which
is expected when it comes to house robberies. The black man portrays himself as
to having more power than the one in the stereotypical burglary garment due to
him situated and standing in a certain way (body language), giving him the
upper hand and ultimately making him look more superior in their current circumstances.
This scene follows the golden mean with the two characters heads being the key
points of interest.
This shot is a medium/long shot, showing three characters
who are in different positions. It appears that the mother and her child have
kept themselves safe by entering a lift inside their home, whilst a man (another
burglar) wearing a long coat is seen to be trying to get in. The man connotes
as looking rough and edgy by the way he displays himself, for example he has
braids in his hair suggesting it’s longer than an average man’s hair and also
is growing a beard, which gives the impression of him being unprofessional. The
mother is seen to be wearing a black vest top which implies that she’s an
ordinary women and a vest top suggest that she wants to be comfortable. The
woman has short hair which subverts to Laura Mulveys Male Gaze theory. The way
she is clasping onto the younger character indicates that she has a strong
relationship with her and therefore could be seen as the mother. This shot
adheres to the rule of thirds, where all three characters are seen as key
points of interest.
This is a medium shot of the mother and daughter in their
panic room. The mother again is holding onto the girl showing the traditional
ways of a distressed mother. By seeing more scenes of just the two of them
emphasises that it’s only those two and there is no other siblings or a father
figure, therefore it shows that the women is a single mother in this tragic
situation alone. The daughter is denoted as wearing chequered trousers which
stereotypically suggests that they are her pyjamas. This shows that this
situation is taken place at night, making the two more and more vulnerable to
the three men. The shot also follows the golden mean because the two characters
faces are in the main areas of interest. The facial expressions on these two
show terror and worry which evidently makes the audience more sympathetic
towards their situation. The props used in this scene is low key lighting which foreshadows that
anything negative is going to occur and represents the tension and mystery of
this film.
This is also another mid shot, displaying the two burglars
in a conversation. The man with the braids is looking up at something, this
suggest he might be talking to the other man about the whole situation and how
it’s going. This shows that he is into his job and takes it seriously. However
the black man’s facial expressions look like he’s unimpressed, for that reason
that implies that the robbery isn’t going to plan. This scene also adheres to
the golden mean due to where the faces of the main characters are located.
Other important Mise en scene details are that the sun is rising and daylight
is showing through the thin curtains, which may mean that they are running out
of time and are evidently failing. The background of this scene shows that it’s
a large room which ultimately insinuates that the owners must have a lot of
money, making it even more obvious for why the burglars are there. Throughout
these scenes low key lighting is used as a tool of foreshadowing the bad.
This is a close up of the strong and independent mother. The
scene denotes a stressed looking woman holding a gun in the air; however the
main focus is her facial expressions and not so much of the gun due to it being
blurred. She looks tired, traumatised and willing. This subverts to Laura
Mulveys Male Gaze theory as she is raising a gun and is seen as a man’s job.
This connotes that she is willing to take someone’s life in order to maintain
her life with her daughter and keep them both safe. This also shows that the
woman has even more responsibilities to take care of due to there not being a
husband/father figure in this situation. This scene helps the audience
understand her role and her persona even further because she is seen to do the
upmost daring things to save herself and her child, highlighting her importance
and authority in this film. There is still a constant use of low key lighting
to sustain the feeling of enigma and terror throughout.
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