Thursday, 20 October 2016
Tuesday, 18 October 2016
Thursday, 13 October 2016
Preliminary Evaluation
Preliminary Evaluation by Natasha Shadat on Scribd
Tuesday, 11 October 2016
Conventions of an Opening Title
What are the conventions of an Opening title?
What
is the purpose of titles in a film opening?
- To inform the consumers on who is involved in the production
- Sets the scene/theme/tone
- Can foreshadow certain characters’ personality
- Introduces the film/actors
Film titles
- Titles are used in film and TV and acknowledge the work of the institution, cast and crew on a product
- Opening titles are shown at the very beginning and list the most important members of the production
- They are now usually shown as text superimposed on a blank screen or static pictures, or sometimes on top of the action in the show.
- They may or may not be accompanying music. Where opening titles are built into a separate sequence of their own, the correct term is title sequence.
Artofthetitle.com
What titles do they use? (Captain America)
Editors
Costume designers
Co-producers
Music/supervisors
Casting
Director of photography
(Cameraman/woman)
Actors
The production company such as Paramount,
Marvel.
The title of the film is presented
at the end.
What effect/theme does the opening create?
- Propaganda
- Graphology of past events
- Music is synchronised (Patriotic)
- Match on action
- A very thematic in terms of world warHow are they different? (Domino)
- Urban music, more modern, also voice overs and sound clips
- The title of the film is revealed earlier on (in the middle)
- Anti-stereotypical narrative (female holding a gun instead of being a damsel in distress)
- Executive producers
- Screen play
- Music by
- Superimposed on top of the images
- Introduces the characters’/ sets their persona
Saturday, 8 October 2016
Thursday, 6 October 2016
Wednesday, 5 October 2016
Psycho Shower Scene Analysis
Psycho Shower Scene Analysis by Natasha Shadat on Scribd
Tuesday, 4 October 2016
Thriller Trailer Analysis
Throughout the Shutter Island trailer there are many key factors that
make it easy to distinguish that this film is a thriller. For example sounds
such as non digetic sound are utilized to encourage the ideology of this film
and constructs a status for itself. The non digetic sounds are exceedingly fast
paced and they occur often within the trailer to build dramatic tension,
excitement and suspense for audience as they most likely want to be subjected
to it, if they watch the film.
Another key factor is the setting, this film clearly displays that it’s
located near the sea and in a mental asylum, ultimately portraying the
thrilling side of movie. The sea connotes purity and truth, which may associate
later on in the film, adding curiosity. A mental asylum signifies the
aggressive change and the harsh developments of one’s mind. This may also apply
later on in the film resulting in predictability, adding to the audience
pleasures.
Most mental asylums are considered as uncanny and unexplainable, meaning
that the film would be represented to be uncanny and unexplainable, giving the
film a mysterious sense to it. This trailer denotes that it’s a thriller due to
the content such as mental patients, tranquilizers, professional nurses etc;
therefore the semantic field of this trailer suggest it’s a thriller.
Low key lighting is an
essential aspect in creating a successful thriller film. Low key
lighting is used frequently within this trailer to emphasis the fact that this
film is filled with enigma and it could also imply that there’s going to be
negative atmosphere right the way through. This trailer successfully uses
camera angle to highlight the necessary props to indicate that it’s a thriller.
For example close ups of mental patients faces to show the audience
intimidating facial expressions.
The weather in this trailer insinuates that this film is chilling and
also sets the mood/theme, this is called pathetic fallacy. It looks cold and
eerie which foreshadows the harsh truth that is soon to take place. This
editing method allows the audience to gain anticipation, inquisitiveness and concern
for all characters within this film, Shutter Island.
The trailer for ‘The Ones Below’ is a traditional thriller film. The
major factor that upholds the idea of it being this genre is the sound.
Throughout the trailer, music is featured; however it changes significantly to
connote negativity and tension. At the very beginning of the trailer cheerful
music is played to clearly set the mood, to be specific a guitar is utilized
which signifies sincerity and desire. Whilst the trailer continues the non-digetic
sounds start to amplify, this is called a crescendo. On the contrary when
certain scenes start to get profound the music will get quieter, this is called
a diminuendo, and then the music will completely stop to add more concentration
to the scene.
There are also digetic sounds
such as raising ones voice which symbolises antagonism, hostility and lack of
remorse. Also the sound of a baby crying and is heard more than once,
emphasising that fact that foreshadowing is involved, therefore it’s evident that
this film takes a pessimistic turn. After a female character says that “[she’s]
always wanted a child” the music changes from being relatively composed to
being intense and worrying. This immediately confirms how having a
child/becoming parents is the main topic of this film and the root of all
conflict between the four main characters.
Facial expressions (close ups shots) are a significant element to this
trailer because it highlights the reactions of the characters and helps the
current situation become more distinct. Two shots are common shot types within
this film, these take in the view of two people and help to distinguish the
relationship between the two characters.
The setting is in a household which displays the realness and in some
way it’s more relatable making the film more successful. Low key lighting is challenged in this
trailer which is anti-stereotypical; however the trailer still expresses the
convention of a thriller. This trailer adheres to Todorovs theory; equilibrium,
disruption and restoration. At the very end of the trailer a female character
says “you never know your own neighbours”, this makes the viewers question the
persona of certain people.
The
trailer for this film adheres to Todorovs narrative theory by having the calm
before the storm (equilibrium) and commotion in the middle of the film
(disruption) and then finally when the equilibrium is restored this is called
the restoration. At the start its is evident
that the main character within this film is moderately happy and content
with his life however as the film progresses its clear to see the changes in
his behaviour and emotions, ultimately changing his character overall.
I would say that Mise –en scene is a significant generic signifier in
noticing this genre. The viewers are presented with usual character archetypes
which adhere to Props’ theory. The trailer denotes the male character riding
his bike in his school uniform, playing football with his friends, and having a
girlfriend. This shows that he is an average and a stereotypical schoolboy. Whilst these scenes are occurring, non –
digetic sounds are utilized giving the overall feeling of this section of the
trailer as being in high spirits. On the other hand when ‘Based on true story’
appears on the screen the music changes dramatically becoming faster paced,
focusing on a specific friendship that is in the process of forming. This
foreshadows the upcoming events that will soon be recognised later on in the
film.
The audience are presented with the disruption of the trailer as we see
domestic abuse, bullying, violence, stalking etc. These are major issues that still
arise in today’s society which highlight the faults within certain members of
the social order. This can be seen as offensive or controversial to the
viewers, having an effect on them, such as sympathising with the characters.
While this is going on, the schoolboys’ sanity is being compromised emphasising
the thriller sense of this film.
The internet is a main concern in this trailer which represents the
reality in society. Technology is a props used to engage a younger target
audience and add to audience pleasures. The internet is the key focal point
throughout this trailer and exaggerates the dangers and risks of getting too
involved. This creates nervousness and builds dramatic tension for the viewers;
also this is very relatable and could also experience these worries.
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